Season two of Running Point doesn’t just build on its breakout debut – it confidently steps into its own power, sharpening its voice, raising the stakes, and leaning even harder into the messy, addictive dynamics that made the first season such a bingeable delight.
At the centre of it all is Kate Hudson’s Isla Gordon, who has officially shed the “accidental boss” label. No longer underestimated, she’s now under constant scrutiny, and Hudson rises to the challenge with a performance that balances sharp comedic timing with a growing sense of authority. Isla’s arc this season is all about proving she belongs – not just to the board, but to herself – and watching her recalibrate her leadership style in real time is one of the show’s most compelling throughlines.
Of course, it wouldn’t be Running Point without chaos, and that’s cemented in the form of Justin Theroux’s Cam. Back with promises that he’s a “changed man,” (he even listens when his wife talks about their kids now) Cam is as slippery as ever, quietly scheming to reclaim his position while playing nice on the surface. Theroux walks that tightrope beautifully, making Cam both infuriating and weirdly charming – a necessary antagonist whose presence constantly destabilises Isla’s hard-earned momentum.
The show continues to thrive on its ensemble, and season two wisely deepens its bench. Brenda Song’s Ali grapples with feeling overlooked, adding a layer of emotional honesty to the fast-paced workplace comedy. Uche Agada’s Dyson pushes against the “charity case” label in a storyline that gives the series some real heart, while Drew Tarver’s Sandy unexpectedly stumbles into a romantic arc that’s as surprising as it is deceptively sweet.
And then there’s Ray Romano as Norm, the past-his-prime coaching legend brought in despite everyone’s better judgment. Romano is perfectly cast, mining both comedy and melancholy from a man clinging to relevance in a game that’s moved on without him. His dynamic with the team – and especially Isla – adds another textured layer to the show’s exploration of legacy and reinvention.
What Running Point continues to get right is its rhythm. The dialogue crackles, the insults land, and the chemistry between the cast remains its secret weapon. The Gordon family dysfunction is as entertaining as ever, with every power play, passive-aggressive jab, and shifting alliance feeling both heightened and grounded.
The series also isn’t afraid to get a little weird in the best way – Isla’s intrusive, wildly inconvenient fantasies about Jay (Jay Ellis) (including some hilariously over-the-top, Dune-inspired detours) add a playful, self-aware edge that keeps the tone unpredictable without derailing the emotional stakes.
By the time the season barrels toward its finale, Running Point has fully locked into what it does best: blending sports drama, workplace satire, and family comedy into something that feels both glossy and character-driven. And with a genuine mic-drop ending that leaves the future of the Waves – and Isla’s reign – hanging in the balance, it’s hard not to hope the series gets the third season it’s clearly setting up.
If season one was about proving the concept, season two is about proving staying power – and Running Point makes a very convincing case that it’s here to play for the long game.
THREE AND A HALF STARS (OUT OF FIVE)
Running Point Season 2 is now available to stream on Netflix.
