Hollywood’s current nostalgia cycle has moved beyond prestige remakes and into something far more interesting: reclamation. The success of Anaconda’s meta-leaning revival – powered by the pairing of Jack Black and Paul Rudd – signals a new appetite for films that don’t apologise for their origins, but interrogate them. The ’90s were an era of…
When Willa Ford announced amanda, her first album in over two decades, it didn’t arrive with the bombast typically expected of a pop comeback. There was no algorithm-chasing single, no irony-soaked Y2K cosplay, no attempt to rewrite history as if the last 25 years hadn’t happened. Instead, what she offered was something far rarer in…
Rose McGowan has been speaking again – quietly, painfully, and with a clarity that still cuts. On the latest episode of Paul C. Brunson’s We Need To Talk podcast, the actress and activist reflected on the cost of telling the truth in an industry that rarely forgives women who do. Now 52, McGowan, one of…
In 1992, Tim Burton made a $65 million dollar art film. A sick, twisted black comedy, it was perhaps the most experimental blockbuster the multiplexes had yet seen – a vitriolic work of dark art that reeked of loathing and contempt. It was a little film called Batman Returns, and it may well be the…
