The heist film genre gives itself away to a multiple of mentalities. Yet, whether it adopts a more action-based personality or one more comedic, it ultimately plays very much by the same central narrative of a snatch-and-grab job that, more often than not, has its share of obstacles to overcome. The Pickup, the latest heavy-name…
I think it’s a fair assumption to state that not many people expected Tom McGrath‘s 2017 effort The Boss Baby to clear the half a billion dollars it did at the global box office. It was a bizarre comedy that entirely banked on its central premise – a baby that spoke like an entitled adult…