Beloved nu-metal Melbournians, Ocean Grove, dropped their fourth studio album, ODDWORLD, this past Friday, and it’s been well-received by fans and critics alike. After the departure of vocalist Luke Holmes in 2019 and his subsequent return for this record, the band has embraced a decidedly eclectic sound. This album, true to its name, feels like a deep dive into Ocean Grove’s unapologetically strange and boundary-pushing universe. While there’s plenty to admire in its ambition and creativity, it’s not without its uneven moments.
The album kicks off with “OG FOREVER,” which used to be the band’s live intro music for their shows in 2017 and 2018- anyone familiar with them around that time will appreciate the throwback. “CELL DIVISION” follows, leaning heavily into their nu-metal roots with a fun, crunchy sound, though it risks losing some charm due to over-production. From here, ODDWORLD starts to show its quirky side with “FLY AWAY,” a track bursting with record scratches and playful nu-metal flair. It might not be to everyone’s taste, but its silly, carefree energy is undeniably infectious. “STUNNER” is another standout, opening with a riff that hooks you immediately before evolving into a moody and atmospheric piece that feels genuinely unique.
“RAINDROP,” pairs soft, muffled vocals with a kaleidoscope of experimental sounds, leaving a strong impression. Unfortunately, not every song on ODDWORLD hits the same high. “NO OFFENCE DETECTED” feels like a bit of a slog, never building to anything memorable. Thankfully, “MY DISASTER” quickly reclaims momentum, showcasing heavier instrumentation and polished clean vocals that add emotional weight.
As the album winds down, it takes a slower, more introspective turn with “LAST DANCE,” a track that leans into emo-inspired lyrics and offers a welcome change of pace. “SOWHAT 1999” shifts gears again, introducing a gritty industrial sound, though it lacks the spark to stand out among stronger offerings. The closer, “OTP,” is one of the album’s boldest moments, blending trap-metal elements with anthemic hooks. It’s an unexpected but satisfying finale, encapsulating the chaotic charm of ODDWORLD.
While ODDWORLD doesn’t quite achieve perfection, it’s undeniably an album packed with personality. Its willingness to experiment and break from convention keeps it engaging, even if the execution isn’t consistently polished. For fans of Ocean Grove’s offbeat energy and “no-fucks-given” attitude, this record offers plenty to enjoy. However, for li steners who prefer a more cohesive experience, the album’s scattershot nature might be a little too… well, odd.
THREE STARS (OUT OF FIVE)
ODDWORLD from Ocean Grove is out now. Grab a copy HERE
