Flora Thiemann

Film Review: The Aftermath (UK/USA/Germany, 2019) accepts its predictable nature and performs more than adequately

One only needs to look at the poster art for James Kent‘s postwar-set romance The Aftermath to gage the triangle of transgression that will unfold over the course of the film’s 108 minute running time.  In fact, the surface level of the Joe Shrapnel/Anna Waterhouse-penned script practically begs you to accept the predictable turn of events,…

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