On the back of their ARIA top 10 album Aesthesis, Queenslanders Dead Letter Circus hit Melbourne’s Forum Theatre with 10 Years and Guards of May in tow to deliver three hours of straight up alt-rock goodness.
Attempting to fill the shoes of anyone in Queen is a difficult, and almost impossible task. Though for the official cover band, where members are chosen by Brian May and Roger Taylor, The Queen Extravaganza is injected with an aura of legitimacy in their quest to continue the Queen experience. How did they go when they played The Star Event Centre last week? Lachlan brings us this review.
Photo Credit: Zana Kobayashi
Grace Turner launched her new EP last week at the intimate, cosy 107 Projects in Redfern. 107 Projects is a tiny venue, that could be at the back of someone's garage. With mismatched chairs and old lounges randomly placed throughout the space, it's almost like being in a friend's shed or garage after school.
City Calm Down have maintained somewhat of an air of mystery around them in recent years. Having spent quite a bit of time away working solidly on their debut album, In a Restless House, the Melbourne band have still managed to cultivate and maintain a strong fan base within the local scene and following on from an impressive few live shows in Sydney and Melbourne recently, not to mention a well-received BIGSOUND run, it's finally time for City Calm Down to step out from behind the curtain and into the spotlight - the fans and the stages are ready.
Photo: Dan Boud.
On album number five, Sarah Blasko shimmies and struts to the language of love. Her recent show at the Sydney Opera House for Graphic Festival saw the world premiere and official preview of her latest offering. It was worlds apart from her previous concert at this iconic venue where she was backed by the Sydney International Orchestra. This time around it was about taut, indie pop tunes and celebrating a crazy little thing called love.
Photo Credit: Prudence Upton
One of the most anticipated musical events at the Sydney Opera House this weekend arrived as part of the House's GRAPHIC Festival, featuring acclaimed Icelandic pianist Ólafur Arnalds, accompanied by a 15 piece Orchestra and special graphics commissioned specifically for the event, produced by Máni M. Sigfússon.
Trimming the fat of a large scale dance festival, Fuzzy's Listen Out has gotten the boutique angle exactly right for the past few years. The music starts around 2pm - when most would rock up to a festival anyway - and rolls out some of the best international and local party-starters across three stages. It's simple and quite perfect, leaving the success of the day purely in the hands of the acts performing, most of whom did an excellent job at keeping the energy up right until a show-stopping set from headliner Childish Gambino, and a show-stealing set from ODESZA.
Listen Out has come back doing the rounds, the lineup having some fan favourites as well as the Red Bull Music Academy stage coming back to bring young talent. This year the festival was simplified to two stages; this idea of festivals becoming smaller and more manageable continues to prove popular amongst music fans. It seems making it easier and thus cheaper encourages fans to come along. Gone are the days of big extravagant festivals with five or six different stages. In this case, Listen Out offered two stages, Atari and the 909 stage; Atari was outdoors under the huge big top tent while 909 remained indoors providing some awesome pyrotechnics.
Meg Mac rolled into the Uni Bar on the wave of extreme hype after strong sales on her “Never Be” tour, including a sell-out and added show in Melbourne. Following her gospel-infused single “Never Be” released in late July this year, Meg Mac has been gaining unstoppable momentum as she looks to conquer Australia.