Wish is the latest production from Perth Theatre Company, and the first in its new season. Adapted by Actor and Director Humphrey Bower from the Peter Goldsworthy novel of the same name, Wish is a charming yet challenging piece of theatre, which will perhaps leave a few unsuspecting patrons unsettled and uncomfortable.
Elephents, the latest brainchild from writer Jeffrey Jay Fowler, has all the hallmarks of a good soap opera; love triangles, dramatic deaths and even the odd elephant or two. It’s sort of like Neighbours or Home and Away, you know, if either were set in a dystopian world plagued by power cuts and where going out the door meant risking third degree burns or heatstroke. It also happens to be one of the most enjoyable pieces of theatre I’ve seen lately.
If this is what the 80’s was like, then I regret every bad thing I ever said. Gathering notoriety for their live performances, Client Liaison played Perth over the long weekend as part of their national tour, bringing their brand of dance electric and pop ballads to a welcoming crowd.
Uncle Jack, the latest work from Perth playwright Ross Lennie, offers a poignant and timely look at the lasting effects of war. However, Uncle Jack is not simply another war story. Instead it is a touching, emotive and well told story of coming of age in a post war rural Australia.
Sunday saw the West Coast Blues and Roots Festival return to Fremantle for its 11th year. Though back to its now customary one day format and with a smaller line-up than in recent years, the festival still managed to draw a none-too-shabby 15,000 people through the gates.
The West Coast Blues and Roots Festival has long been one of my favourite festivals to attend. It’s chilled out, relaxed and normally boasts an impressive line-up of legends and up-and-comers. It also happens (for the time being) to be the closest I am going to get to Bluesfest. This year’s festival was my fifth (or maybe my sixth) West Coast Blues and Roots – so here, in no particular order, are five of my highlights from this year’s event.
Friday night at The Rosemount Hotel saw The Smith Street Band sell out their first ever headlining show in Western Australia. Which is no mean feat, and came in part thanks to their relentless touring schedule, which has seen the band come through Perth countless times in recent years, building their vocal and dedicated fan base more and more with each show. The fact that they have a killer collection of songs doesn’t hurt either.
Voyager launched their new single "Breaking Down" in Perth over the weekend! Tony Lendrum brings us these snaps from the night.
Thursday night saw Icelandic composer Ólafur Arnalds brave the warm Perth weather and make his Perth Festival debut at the festival gardens, treating the attentive and patient crowd to a selection of songs from his latest album For Now I Am Winter and more.
A Midsummer Night’s Dream is up there as one of Shakespeare’s most oft performed plays. \There have been countless as adaptations and reinterpretations over the years, but I’d imagine there are few as wonderfully strange and eclectic as Russian director Dmitry Krymov’s interpretation A Midsummer Night’s Dream (As You Like It). As clichéd as it sounds, this is Shakespeare as you have in all likelihood never seen it before.
Heroes and tyrants, Gods and Mortals, and ancient armies all clashed on stage on Sunday night. All of them brought to vivid life by one man, actor and co-writer Denis O’Hare, for the Australian premiere of the An Iliad. A captivating and engaging adaptation and reinterpretation of Homer’s Iliad by US collective Homer’s Coat, that forms part of the Perth International Arts Festival this year.
Laneway Festival returned to Western Australia for the 5th year on Saturday, moving from its home in the Cultural Precinct, to the leafy surrounds of Fremantle’s Esplanade park. In a period of uncertainty for festival organisers Laneway seems to be going from strength to strength consistently selling out across the country, even in Perth! But then with a line-up boasting buzz bands like Haim, Lorde and Vance Joy it’s hardly surprising.
Big Day Out and Perth have had a pretty strained relationship in recent years, with venue changes, reduced line-ups and poor ticket sales. This year was no different, with Blur dropping out, and continued tensions between organisers and local councils prompting a last minute change in venues and the announcement by AJ Maddah that it would be the last time the event would come to Perth.
Swamp Juice, the brainchild of Canadian puppeteer and performer Jeff Achtem, is a quirky, playful and utterly entertaining work – that will enthral adults and children alike. It comes as no surprise this show has sold out seasons around the world.
The Devil Rides Out launched their latest video 'Empty Sky' at the Rosemount Hotel. Supporting them were Bayou, Blackwater Station and OI' Bouginvillea. Photos by Stuart Sevastos.