
Sydney three-piece Beast & Flood float somewhere between alternative rock and post-punk, with some emo and post-hardcore feels in there as well. But they don’t fit perfectly into any of these labels, and as such their debut album, Lanugo, is an exciting prospect; an idea-driven, genre-fusing foray of surging musical bouts and super tight atmospheric jams. It’s an album bursting with elaborate instrumentation, where every arrangement is pushed to the brink and pulled off with seamless dexterity. This pedal-to-the-medal, all-in approach sees Beast & Flood reach some scintillating heights, but compelling throughout Lanugo is its visceral intensity and full-throttle sense of purpose.
Citizen has always been pretty renowned in this new generation of pop punk. While folks like A Day To Remember and The Wonder Years have their roots firmly in the world of relatability and catchiness, Citizen has always gone more for melancholy and…catchiness. Ok, so pop punk has never been the deepest of genres, and aside from a couple of outliers (such as the aforementioned The Wonder Years or Say Anything) there really isn’t much a band can experiment with in the genre after they’ve found their sound. Citizen had found their sound a long while back, stripped down and just generally a bummer. You wouldn’t expect much different from what is their third album Everybody is Going to Heaven - but you would be wrong.
They’re all the good things. They’re pizza. They’re a cosmic swirl in your ears that’s going to radiate down your fingertips and shoot lasers out of your fingernails making space and time a bright place. Or at least, that’s what these guys would probably tell you they are – they’re The Babe Rainbow. The official self-titled EP has been released and they’re celebrating these four tunes with another killer tour starting in Brisbane and working its way down to Melbourne.
When it comes to hip hop, lately I have been hard pressed to find an Australian album that I am content to sit the whole way through without skipping songs. Consistently it’s the same drawl, 90’s beats, recycled lyrics and a bogan Australian accent rhyming every second word with a curse word. That was, until I stumbled across Melbourne MC Seth Sentry’s Strange New Past with witty lyrics, amazing production and a barrage of emotions this album has gone far and beyond.
Kill The Waves is one of the many UK bands producing music at the moment that could be loved globally. Paired with a sound that only continues to improve they’re definitely one to watch this year. They have a unique sound that is a total game changer in Electric Indie Pop. Find out what I thought of their latest album The One That Could Have Been...
If there's one thing I admire about The Getaway Plan, it's their resilience that has brought them a successful and flourishing music career. Since the crowdfunding of Dark Horses started, it's pretty amazing to have seen so much support that was brought by their loyal fanbase. The band made a brave decision on leaving their record label because they felt like they weren't able to showcase material that was truly theirs. Comparing to their last two albums, 2008's Other Voices, Other Rooms and 2011's Requiem, Dark Horses is their most honest and profound record to date. The most remarkable aspect of this album is how it makes you feel something. A feeling that you can't necessarily put into words. It's a journey of using music as a solace for pain, depression and misery, showcasing The Getaway Plan's token of survival from their hiatus.
Within the first few seconds, Perth producer/entrepreneurial barber Ta-Ku has put you into a smoothly lush atmosphere. Displaying his power over composition, Songs To Make Up To is a blissful flow of samples and vocals that evolves so naturally that it goes beyond pleasurable listening. Eliciting such a level of emotion where only half the tracks feature lyrics shows what a well thought out production can achieve, and brings it to a fine art.
Hip-Hop and Soul in Australia is currently in safe hands. On the back of absolutely massive releases from Australian acts in the past few years (Seth Sentry, Hilltop Hoods, Thundamentals, Illy), there is a new player in the game, and their spin on the genre has me excited. And after listening to their debut EP Step On Sleep, I’m sure you’ll also be pretty excited about Sydney/ Blue Mountains act Jones Jnr.
It’s been 4 years since Pat Grossi aka Active Child released his critically acclaimed debut album You Are All I See. 2013 saw him release EP Rapor, which exhibited a significantly more upbeat electronic feel and featured the likes of Ellie Goulding and Mikky Echo. His latest album Mercy takes a step back to the more acoustic elements of You Are All I See, and maybe even a step further into a new sound altogether for Grossi.
Has anyone checked whether Nate Ruess was a theatre kid? Every project he's involved with has been getting steadily more bombastic and theatrical since The Format. His solo album, Grand Romantic, is theatrical verging on ridiculous, but it's also weirdly charming. That might sum up everything Ruess does, actually.