Don’t Sleep is the debut album for Melbourne band Stealing O’Neal . Having enjoyed them live a couple times, I had only ever heard the odd few songs so was interested to see how well their sound transferred through in the studio.

First track "Powerlines" is a good opening song to introduce the bands infectious sound. Vocalist Chris Scott’s distinctive vocals add that splash of diversity on what could have just been another rock song. Instrumentally the band sounds tight and combine the crashing drums and heavy guitar work seamlessly.

"Hometown" and "Circle/Square" again are catchy rock tunes from the boys and are sure to be a hit played live for fans. "Catchafire" lyrically is an anthem for every downtrodden teen – (“Don’t hold back, don’t get discouraged, we get what we’re given.”)

Just when it is believed that all we’re going to hear is similar sounding but nevertheless catchy solid and fast rock tunes, the band mixes it up with "Emilre State Human" with Scott’s vocals softer and more melodic than what we’ve heard yet. Adding piano into the song, it makes for a new effect.

"Small Steps" sounds like the making of a hit single, while "Speaker Speaker" is a heartfelt love ballad and demonstrates the band can pull off the acoustic sound well also.

"Retreat After Me" was the first song that I listened to that made me stop and take notice. I absolutely loved the tune of the chorus, and instrumentally the band was better than ever with emphasis on Ryan D’Sylva’s solid drumming.

Ending with a bang on "Pull Me Up", Stealing O’Neal have made a successful and catchy pop-rock album with Don't Sleep, that will attract both new and old fans. While initially having my doubts on how well they’d transfer their on stage presence and energy through the studio, I am happy to admit I am pleasantly surprised.

Review Score: 8/10